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==Sting shard==  
==Sting shard==  
Scary cary shark
Is a mainstay of the entities tool kit, rarely needing anything else.<ref name="SB16">Sting, for the record, is akin to the shark. Sharks haven't evolved for aeons, because you can't get much better than a motherfucking shark. What you can do is put the shark in a tank with other fish/animals and see the way things might play out. - [https://forums.spacebattles.com/posts/15026750 Wildbow on Spacebattles]</ref>


==Precog shard==  
==Precog shard==  

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List of Shards base format on Cauldron Vial list.

Put in a warning of speculation Alphabetical

Examples of powers granted

Administrator

blah something about functionality how it relates to controlling alotta little folks

Powers known to be granted by this shard include Master/Thinker control of anthropods "bugs" within a rough three block radius, processing of senses and location.(double trigger)

Master Singular but versatile master minion composed of a Swarm of rats. hovers and can be commanded in a minute way comparable to Weaver.

'Curse' Master/Stranger power with a multi mile range that makes people and animals hate the target.

  • thinker
  • master
  • stranger
  • Brute power is possible but stretches credulity the 'Brute' body

Taylor Aidan danny <ref name="WoW">Writebow: Can't control them indviidually

[...]

Writebow: Sets invisible flags. Birds get pulled to that point.

Writebow: Or uses flag to have them all move in a wave, attacking on the way, etc. - Comment by Wildbow archived on Spacebattles</ref><ref name="R1">Depends on the trigger, but possible culprits include...

  • Losing Annette.
  • Realizing he'd failed Taylor utterly as a father, getting harsh talk from Mr. Barnes.
  • Being stepped on by the local gov't, failing the union workers he represents.

In devising the actual trigger, we actually figure this out in a way like we would a Cauldron vial. We know what the shard does, and the key thing to figure out is how that shard expresses its power and how it manifests.

The QA shard specializes in coordinating control over large numbers of smaller lifeforms. We see it in Skitter (bugs), we see it in Aiden (birds) and we see it in Chitter (rats).

On the flip side, the common elements for Danny in the three triggers noted above are, well, Danny. He's got a lot of repressed anger and anger against the infrastructure, and in every case, his general awareness/the awareness of the shard has picked up on the same setting details. It's going to tie into similar categories and types of creature, fitting to Brockton Bay. Given Danny's personality, natural reticence, and the 'cornered rat' anger, this tends to veer in the direction of rodents. So I'm going with rodents for the options below...

Losing Annette is a master trigger, one with a singular, focused sense of loss/isolation. Annette completed Danny, and losing her left him incomplete. In expressing the shard, his shard looks to occupy that void. Rats scurry to Danny and they gather into a form. Bodies interlock, hold to one another and work in coordination as they form something vaguely humanoid. In the right light, as a silhouette, it evokes memories of Annette. Perhaps Danny becomes slightly unhinged. He misses her so much, and somehow this thing, which has a way of standing out of the light, or in his peripheral vision (and he doesn't pry) evokes memories of Annette in how it moves or how it responds to his words, as he talks to it incessantly. He withdraws from Taylor and his coworkers, and after he gets screwed over by local government, starts lashing out. He has rough control over rodents in groups, getting them to converge in one area to attack or to build his Annette. Annette moves silently, gliding over floors or up walls and then throwing herself at foes, dissolving into a biting, gnashing swarm when attacking or when being attacked. As he progresses as a cape, the figure becomes more flexible in the forms it can take or what it can do, and his control slowly and steadily approaches Taylor's.

Danny, who hasn't been eating nearly as much (or feeding his daughter) is a hollow shell of a man. Alan approaches him, tries to shake some sense into him, and Danny experiences abject horror at just how badly he failed his daughter. It's like that sensation of missing a step, teetering toward rock bottom. The Danny we know teetered, experienced that moment of horror, and then got pulled back to his feet and gets counseled in what steps to take to rebuild and recover by Alan. This Danny teeters, falls, and triggers. Horrified and distracted by his emerging powers, he doesn't hear what Alan has to say. He says something incoherent, then turns and flees the scene. This Danny suffered a crisis of identity (fatherhood), guilt, and a realization of just how much he had disconnected himself from reality. The loss of Annette still burns. The crisis of identity manifests as a changer element, the guilt as a thinker one. In an ironic twist, his power keeps him distanced from reality. He tries to gather himself up, but the nature of his power makes it hard to reconnect with his daughter, and his efforts to regain normalcy are foiled. When he eats, he regurgitates everything but the bare minimum to keep his body functional, and with that regurgitation, he produces rats. He maintains the rough, very generalized ability to control rodents, but the ones he spawns are smarter and tougher, he maintains more explicit control over them, he can see through their eyes, sense what they sense, and use them to control the other, general swarms. Actually killing his own rats is hard, but the more they are, the smaller his own perspective is, relative to the combined sensory input of all the various rats. He inevitably reaches the point where he can't take care of Taylor anymore, his awareness largely subsumed, so he tries to turn to more productive ends, trying to improve the city for his daughter, going after the corrupt politicians, the teachers who failed his daughter, and the bullies.

Being stepped on by the local government, realizing he'd failed his workers, surrounded by a broader infrastructure and a city that seems hostile to him, he triggers as a generalized stranger/master. The eyes of others are on him, almost accusatory, or he thinks they are. He's angry, and that colors things. Stranger/masters tend to generate as emotion manipulators/controllers. Danny uses the smaller critters - insects, arachnids, rats, birds, fish, whatever - all together, not controlling them explicitly, but using them as vectors. It's an effect like Shatterbird's song, propagating through the critters, and covers an area miles across. Like Taylor, Danny doesn't even need to leave his house. For an area 3-4 miles across, people get irritable, frustrated. When Danny focuses on a person, people and local wildlife get irrationally angry and frustrated with that person. It's subtle, but that person's life becomes a nightmare, as flies and rodents collect inside their houses and in their cars, and everyone they meet seems to act hostile or outright tries to hurt them. The subtlety and 'soft' nature of the attack is a source of frustration to Danny, who is angry and wants to swing a punch, to get some resolution. He could stay largely impossible to detect, but instead anger wins out, and he puts on a costume and goes to confront the people he sees as the biggest problems. Or he just doesn't stop when the people and his host are assaulting the people he's going after.

In all three cases, he's liable to self destruct. The shard recognizes this, accepts it (in a way, the shard was sent to him by the entity for this reason), but then hops to a more viable host with a longer lifespan and more complex emotion. - What if Danny Triggered, Reddit.com 15 Mar 2016 </ref>

True Nature

Her shard originally went to her father before jumping to the more suitable host. Had Taylor's father experienced a more stressful life, it's possible that he could have triggered with rat powers.<ref>Comment by Wildbow on Spacebattles</ref><ref name="reddit2"/>

Glaistig Uaine referred to Taylor as the "Queen Administrator", and claimed her power was a "noble" among the faerie.[citation needed]

In Scion's Interlude it is implied, but not explicitly stated, that Taylor's power was originally used to determine and rearrange the configuration of shards within an Entity, and it is referred to as "the administrator shard". It specializes in coordinating control over large numbers of smaller lifeforms.<ref name="R1"/> DELETE this bit - The QA shard specializes in coordinating control over large numbers of smaller lifeforms. We see it in Skitter (bugs), we see it in Aiden (birds) and we see it in Chitter (rats).

Darkness shard

  • Grue
    • Grue 2.0
  • Sinkhole Grue
  • Teleport Grues

Put in echidna bits

Destroyer shard

chevalier put in speculation

Forget Shard

a large shard cluster

High priest

Vital shard?

Mein/Cross Shard

Blah blah blah something about functionality (efficient response to danger)

Powers known to be granted by this shard include 2 form Breaker 3 form Breaker <ref name="SB2">Keep in mind, also, that one shard gives different abilities based on the nature of the trigger and the individual.

Example: Shard 'Cross'. For the entities, it's a toolkit, a low-energy response to general hazards, allowing the entity to quickly switch swathes of shards to new tasks to deal with environmental hazards. The entity hasn't devoted much attention to it, beyond a few safeguards, so it finds a high crisis area & time with a 'glance' of its power and looses the shard, plotting for its arrival time & location.

Shard Mien reaches a host. It then travels to a new, younger, host, developmentally disabled Eric Stodt. It locks on, it gets a grasp on who the host is, and it summarily lets that part of itself die off, burning out to form the corona pollentia. Sit dormant for some time, if the arrival of shard to host didn't coincide with the trigger time. The trigger event happens, the shard recognizes the event from the state of the host and from context, the flood of stress responses, and so on. A now-twenty year old Eric is in the lake, his father shouting at him to swim, refusing to let him climb the ladder back up onto the dock. Eric is screaming incoherently, panicking, and every time his father pries his fingers off the ladder, he really thinks he's going to die. His father isn't even recognizable at this point, in the anger and midst of the danger.

The trigger reads Eric. Who is he? How does he generally respond to situations?
The trigger reads the situation. What form does the danger take? It's partially environmental, it's driven by a desire to escape, his life is threatened by a distinct enemy.

The shard then discards everything it doesn't need, distilling things down to one efficient task, suited to Eric. Where it wasn't already programmed with inherent safeties (Manton effect) and limitations, it uses Eric's stored knowledge to generate a kind of grasp of what it needs to do.

Eric becomes a breaker, transitioning between two forms. Because of the nature of the problem and of Eric himself, he doesn't get a form that returns him entirely to normal. He has one form where he's essentially a living artillery platform, unable to move, but capable of devastating firepower, and one form where he flies at stunning speeds, capable of turning on a dime, durable. A living bullet.

And one man in a bad situation is left standing on the beach by his family's cottage, steaming as the water is burned off his skin, having flown to freedom and obliterated his father, realizing what he's done.

If the shard hadn't left Eric's father to go to Eric, however, what might have happened? Eric's father might have triggered in another 'between a rock and a hard place' scenario, probably would have been a breaker, but might have picked up a breaker power that turned him into a living focal point capable of refocusing heat and cold over large areas (another environmental hazard the shard was tasked with facing), another form where he could manipulate gases on a similar level, and a third, clearer self identity might have left him with another form where he was more clearly human. Because the answers to the trigger question and to 'who is Mr. Stodt' is different from 'who is Eric Stodt'.Comment by Wildbow on Spacebattles (scrolldown)</ref>

Negotiator shard

Blah blah blah something about functionality

Powers known to be granted by this shard include

  • thinker
  • Blaster
  • Tinker

<ref>Tattletale's power would just scale up constantly in power, reach, and intensity of detail. The shard might not have broken 100% clean - Scion might have given it some tools somewhere in there, so I can imagine a Tattletale-sub-entity scaling up to a breaker state or tapping into a tinker ability to network/develop more hardware/brainware to process it all. Scale up to processing multiple dimensions at once, and develop/manifest/obtain a weapon. Going back to the tools Scion gave, a simple blaster power with a clean, possibly invisble terrain-penetrating laser, with Full-bore-tattletale focus at work to discern the best possible weak point? Or even just a Tattletale in the middle of it, holding a gun? Picture her systematically picking off threats one after another, from highest priority to lowest, from the center of the incident sites, maximum range. - Wildbow of Spacebattles</ref> Section where the entities uses a shard to fill in the blanks?

Sting shard

Is a mainstay of the entities tool kit, rarely needing anything else.<ref name="SB16">Sting, for the record, is akin to the shark. Sharks haven't evolved for aeons, because you can't get much better than a motherfucking shark. What you can do is put the shark in a tank with other fish/animals and see the way things might play out. - Wildbow on Spacebattles</ref>

Precog shard

Diana poor girl

Coruscant Knave

Heartbreakers shard List his kids and others


Path to victory shard Bit of WOG about God viruses using it to navigate and watch out for threats. Like not steering into a black hole.

Trivia

References

<references/>

Categories

Spoilers terminology

Canon in the Holocron continuity database

In 2000, Lucas Licensing appointed Leland Chee to create a continuity-tracking database. In 2018 a busybody decided to copy it, badly. W1 - Worm Rewrite Canon - The canon that is to come, spoken in whispers. W2 - Worm - While technically the highest canon it can be contradicted by other elements. Q - Quest Canon characters and concepts that work within the world of Parahumans but may not have taken that form as seen in Quest. B - Babble Canon is canon that Wildbow lays down in the IRC and Discord and comments on things in the Parahumans vs. N - dredded and feared Stages of Canon The Holocron's database included a field for a single letter (G, T, C, S, N or D) representing the level of canonicity of that element; these letters were since informally applied to the levels of canon themselves: G-canon, T-canon, C-canon, S-canon, N-canon and D-canon. As part of his work with the Holocron, Chee was responsible for the creation of this classification system, and he spent the early stages developing and refining it. It was discontinued with the April 2014 reboot.


G, T, C and S together formed the overall Star Wars continuity. Each ascending level typically overrides lower ones; for example, Boba Fett's backstory was radically altered with the release of Star Wars: Episode II Attack of the Clones, forcing the retcon of older source material to fall in line with the new G-canon backstory. However, this was not always absolute, and the resolution of all contradictions was handled on a case-by-case basis.



  • G-canon was George Lucas Canon; the six Episodes and any statements by George Lucas (including unpublished production notes from him or his production department that are never seen by the public). Elements originating with Lucas in the movie novelizations, reference books, and other sources were also G-canon, though anything created by the authors of those sources was C-canon. When the films were changed, the newest editions were deemed to take canonical precedence over older ones, as they corrected mistakes, improved consistency between the two trilogies, and expressed Lucas's current vision of the Star Wars universe most closely. The deleted scenes included on the DVDs were also considered G-canon (when they didn't conflict with the movie).<ref>StarWars.com: Blogs - Keeper of the Holocron's Blog (archive.org link)</ref>
  • C-canon was Continuity Canon, consisting of all recent works (and many older works) released under the name of Star Wars: books, comics, games, cartoons, non-theatrical films, and more. Games were a special case, as generally only the stories were C-canon, while things like stats and gameplay may not have been;<ref name="LCG">Leland Chee (Tasty Taste) on RPG/game info vs. story info</ref> they also offered non-canonical options to the player, such as choosing female gender for a canonically male character. C-canon elements have appeared in the movies, making them G-canon; examples include the name "Coruscant," swoop bikes, Quinlan Vos, Aayla Secura, YT-2400 freighters and Action VI transports.
  • S-canon was Secondary Canon; the materials were available to be used or ignored as needed by authors. This included mostly older works, such as much of the original Marvel Star Wars comics, that predated a consistent effort to maintain continuity; it also contained certain elements of a few otherwise N-canon stories, and other things that "may not fit just right." Many formerly S-canon elements were elevated to C-canon through their inclusion in more recent works by continuity-minded authors, while many other older works (such as The Han Solo Adventures) were accounted for in continuity from the start despite their age, and thus were always C-canon.
  • N was Non-Canon. What-if stories (such as stories published under the Infinities label) and anything else directly and irreconcilably contradicted by higher canon ended up here. N was the only level that was not considered canon by Lucasfilm. Information cut from canon, deleted scenes, or canceled Star Wars works fell into this category as well, unless another canonical work referenced it and it was declared canon.

On August 4, 2004, when asked if the G and C-levels formed separate and independent canon, Leland Chee responded by stating that both were part of a single canon:

"There is one overall continuity."

In a December 7, 2005 post, Chee commented on how the Holocron is applied to licensees:

"The Holocron comes into play for anything official being developed for books, games, websites, and merchandise. For anything beyond that, it is simply a reference tool."

In a December 6, 2006 post, Chee contradicted his original statements regarding the canonicity of the Holocron and how it applied to the Star Wars universe:

"The only relevant official continuities are the current versions of the films alone, and the combined current version of the films along with whatever else we've got in the Holocron. You're never going to know what George's view of the universe beyond the films at any given time because it is constantly evolving."


This statement confirms the priority of the "current version of the films" over the original versions, as well as the existence of two separate continuities, the "film only" continuity maintained and followed by George Lucas himself, and the "film + EU" continuity that is used for licensed products.

Subsequent questioning over which continuity was "more official" revealed that Mr. Chee favored film + EU continuity, but in the end it was up to the individual fan:

Keep in mind

Ah, but see, I love tormenting people. I’ve got a bit of a mean streak. I’ve seen people on Spacebattles & other forums saying they want Taylor to have a power boost. I know that there’s readers of ‘shounen’ series that are so used to the protagonist getting that next power increase (The week of training in an isolated location, learning that special technique, going super saiyan, whatever). I also know the traps inherent in going down that road.

So it’s fun to tweak people’s noses just a little, knowing what they’re hoping for. Comment from WB
something i should have kept in mind

back up

Taylor Anne Hebert

compare the changes made here.

old travelers thing

Aliase: Name: Status:
Trickster Francis Krouse Deceased
Sundancer Marissa Newland Returned Home
Genesis Jess Returned Home
Ballistic Luke Casseus Returned Home
Oliver Oliver Returned Home
Perdition Cody Unknown
Echidna Noelle Meinhardt Deceased